![]() “American Reckoning” is the latest component of “Frontline’s” Un(re)solved multi-platform initiative. It’s directed by Brad Lichtenstein and Yoruba Richen. In February “American Reckoning” is coming out. How many total films are in Season 40 and what can we expect in upcoming months? Season 40 of “Frontline,” which features 21 hours of original programming, launched in September and runs until August 2022. I want audiences to be able to watch a “Frontline” and say, ‘That person was not edited out of context.’” “We launched this project with this idea of, how can we show people instead of tell people to trust us? Now they can see the process and understand what the person really had to say in that long interview that sometimes can last three or more hours. Why did you decide to add video footage to the project four years ago? “Frontline” has been putting transcripts online since 1996, but it wasn’t until 2017 that the Transparency Project began to include video of unedited interviews from projects. The Frontline Transparency Project gives people access to hours of original reporting and source material that go into the making of each “Frontline” film. ![]() ![]() So, my hope for filmmakers is even if they’re not a trained investigative reporter, they want to practice journalism with us.” Also, have those facts been brought to the person you’re reporting on, and did you ask them the tough questions they need to be asked, and then listen to their response for anything that you didn’t know that might add nuance, texture, and context to the story? That’s what we’re after. That is what investigative journalism is in its highest form - when you have an investigation that lands something, but you understand along the way what the proof is and what the facts are. We look at every single issue from every different angle before we land on the line that you feel is bringing you through the film. So, they have to be willing to be open to questions and report against their own assumptions and report against their own evidence. I would say they have to always be filmmakers who want to practice journalism. ![]() That’s up by 42% since 2015, when Aronson-Rath began her duties as executive producer.Īronson-Rath spoke to Variety about Frontline’s reach, representation, and the series’ role in today’s news media culture.Īre documentarians who make “Frontline” films journalists, artists, or both? In 2021, 84% of the series’ docs (or 15 out of 19 the standalone documentaries) were directed by or co-directed or produced by women and/or POC filmmakers. Not only have the people doing voiceover for the program diversified, so have the people making “Frontline” content. But while he narrated “America After 9/11” – the docu that launched Season 40 of the series in September, “Frontline” films now feature a variety of narrators or no narration at all. Voiceover actor Will Lyman has largely been considered the voice of the series since he started narrating “Frontline” docs in 1984. Aronson-Rath has also worked vigorously to make the PBS series more representative in recent years. The site, which offers more than 130 full-length “Frontline” feature documentaries, has more than 1.2 million subscribers. A journalist at ABC News and the Wall Street Journal before joining “Frontline,” Aronson-Rath directed and produced documentaries for the series including “New War,” a four-part investigation into the future of news and “Law & Disorder,” an investigation into police shootings in the wake of Hurricane Katrina, prior to moving into her management role.ĭuring her tenure as executive producer Aronson-Rath has expanded “Frontline’s” theatrical documentary footprint and earned its first Academy Award nomination via Steve James’ “Abacus: Small Enough to Jail” in 2018 and a second Oscar nom last year for Waad al-Kateab’s “For Sama.” Also, under Aronson Rath’s watch, “Frontline’s” reach has grown due to the “Frontline” channel on YouTube. She was named deputy executive producer in 2012, and then became executive producer in 2015. “Frontline’s” success over the last seven years is due in large part to Raney Aronson-Rath, who joined “Frontline” in 2007 as a senior producer. Thus far, the program has garnered 100 Emmys and two Oscar nominations. When PBS launched “ Frontline” in 1983, the docuseries was considered the “the last best hope for broadcast documentaries.” While these days the longform investigative-journalism series is certainly not the only hope for docus looking for a home on the small screen, the program remains one of the cornerstones of not only PBS’ documentary efforts, but also of the nonfiction industry.ĭespite a rapidly shifting landscape that introduced big money streaming services like Netflix, Amazon and Hulu, “Frontline,” produced by WGBH Boston, has managed to maintain its prominence in the industry over the last decade.
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